Monday, 30 May 2016

Assignment 2: Application of Design Ideas

The Final Design:

I am working from one of my first sketches at the beginning of the assignment. The vase. It has very simple triangle shapes, which, I hope to layer on top of each other with different coloured print each time. I have been developing this design along my print experiments.  I tried several versions of how to layout the pattern. 
First Sketch 
Scaled up collage 
Scaled down collage emphasis on both positive and negative spaces 
Experiments with the layout of the pattern
Another negative version of the pattern 
Experiments with the layout of the pattern
And most importantly what colours? I got my trusted colour wheel out and decided to start with mixing colours. I mixed around 8 colours, yellows blues and aubergine/deep purple-brown. I mixed luminous yellow in two colours it gives increases light reflected. I couldn’t use luminous yellow on its own. It would be too intense. When mixed it gives other colours a lift.
Sticky back tape template
Color mixing
I made 4 templates from both the negative and positive images of the design with two scales (smaller and the intended size). I am printing with smaller size first with darker tones, layering lighter tones with bigger size. I am drying the cloth and fixing the colour (with ironing) in-between prints. I am using a very geometric pattern, but my intention is to print in multiple directions emulating a more organic pattern. There will be a level of control and randomness at the same time. That’s the plan.
First Print 
Second Print using the background print made in earlier print attempts
Residue print made to soak up the excess print paste
I really love this one
Layering colours is proving to be tricky. The more layers the thicker the print becomes and stiffer the cloth gets. Ghosting is a becoming a big headache! In some samples smudges can be seen clearly. Once washed and ironed the samples the bottom layers became obvious through the top layers (which I didn’t mind but didn’t expect at the beginning).  I made several prints until the final one. I made prints to paper using excess paint. Some of these residue prints are better I guess. They are going into my sketchbook.
Print on paper- deciding the colours
Print on paper - template disintegrated and I sticked it to the print.
 I love the college it created
Overall I am happy with the results. It can be more precise, or I could have ben less ambitious.
 
Final Print
Reflections on the outcome:

Although I explored several techniques, maybe I was a little single minded throughout the process. I wanted to create layers of colour, pattern and texture.  I wanted the print to be rich. Maybe I could have pushed other techniques further (eg Vilene). I had so many failed attempts at the beginning that I desperately needed better results. Therefore didn’t persevered in the failing attempts. I went for a simpler technique (cut out templates) but pushed for colour and texture. Background was very important in all samples, I used a lighter colour for the emphasis on the foreground. Producing repeats were very difficult. I cannot claim success on repeats. However I tried to work with ghosting, random repeating to create a more organic feel with a sharp geometric image.

Screen-printing can be unpredictable, prone to mistakes and if you do not have a durable template design, is difficult to achieve decent details in your pattern. On the other hand, it is playful generating interesting results. I liked working with Procion MX dyes as much as pigment dyes, especially the breakdown method. However Procion dyes can end up being dull after wash and heat treatment. I must look more into that. I found working with pigment paints is much easier.

This assignment made me think a lot about patterns and how to design them. It is an important skill and not as easy as it looks.

I believe I tried really hard on this assignment. I enjoyed it very much. Screen-printing is a bit like photography wet printing.  It took me to my good old days in the darkroom. The process in dark room involved several chemical processes affecting the outcome, too. It is a tactile experience where you cannot always control the outcome completely, but can set the framework where the magic happens. Screen printing is very much like that.

Looking forward to next assignment.

Books I read and used during this assignment:

  • Screen Printing, Layering Textiles with Colour Texture and Imagery, Benn C., Morgan L., 2009, Committed to Cloth Publications
  • A Field Guide to Fabric Design, Kight K, 2011, Stash Books
  • Art Cloth, A Guide to Surface Design for Fabric, Dunnewold J., 2010, Interweave Press LLC.
  • The Print Making Book, Mooncie V., 2013, Guild of Master Craftsmanship Publications Ltd.




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