Research
Point:
Textural Spaces exhibition, 2001, showcased
Japanese Textile artists and their approach to their work. In Japan, historically, there was no need for a
distinction between art and craft. Traditionally the art training is approached
as apprenticeships in workshops. The technical skills and traditions are highly
respected and preserved through practice. Aesthetic judgment follows through
this process. This way of working is not only considerate of the materials and
technique used but the space in which the object exists. Harmony in structure
and its relation to its environment is important. As a result they produce work, which awakens visual
and tactile senses via considered use materials, light and space.
It would have been great to see the exhibition. I only saw
examples online. My first reaction to these work is a sense of awe. Simple
but balanced, oozing with subtle aesthetics. Very simple, carefully balanced superbly
executed pieces. I especially loved the work of Naomi and Masakazu Kobayaski.
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| Masakazu Kobayaski- Textural Space 2001 |
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| Chika Ohgi- Textural Space 2001 |
I also found the following artists interesting:
Susie
Freeman: She traps materials in netted structures
producing beautiful combinations, some funny and witty, some ironic.
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| Sussie Freeman |
Liz
Rideal projects images of Indian saris on transparent layers of fabric to
stunning effect, and also takes mono prints from inked up folded fabric. She
states that we take patterns for granted, and
forget to look at them. Her work draw attention to them by giving light and
movement. Her “Drop Sari” video installation is interesting to watch too.
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| Liz Rideal |
Roanna Wells’ embroidery on wool pieces is quite
emotional. Using seeding stich as a mark to great effect creating poignant
images. I think her work is a great example of material led approach, in the
sense that in her work the materials peaks their visual sensory potential.
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| Roanna Well |
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